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Large language models like Claude work by generating one word at a time. Each time the model decides on the next word, it chooses among a list of potential candidates, ultimately selecting the most sensible or likely based on the preceding text. Take the sentence “The weather today was cold and…”. The next word is very unlikely to be “sugary.” But it is quite likely to be “overcast” or “grey.” Under most circumstances, it doesn’t matter much to the reader which of these latter two words the model ultimately chooses—the meaning of the sentence is largely the same either way. In cases like this,

Watermarking does not impact the quality of Claude’s output. To a reader, a watermarked response is indistinguishable from an unwatermarked one (in this way, AI watermarks differ substantially from their namesakes on banknotes, other physical objects, and some digital documents, which are visible to the naked eye). In internal testing, we’ve seen no impact of watermarking on the content, level of creativity, or readability of Claude’s text. In the SynthID-Text paper, which introduced the technique we use, Google DeepMind tested this impact by serving a model that used watermarking to a portion

Claude’s text watermark is a version of the SynthID-Text approach published by Google DeepMind in a Nature paper in 2024. It belongs to a family of approaches that go back to a proposal by Scott Aaronson in 2022, all of which share the same design principle that we described above—the watermark only changes the source of the randomness used to pick among words. There are limitations to the effectiveness of watermarking. Using our key, one can only answer the question “What is the likelihood this was partly written by Claude?” It doesn’t confirm whether the text was human-written, and it can’t

No. The watermarking applies to Claude and its outputs. It doesn’t identify anything to do with individual users. There’s nothing in the watermark, or its key, that would allow anyone to recover any information about the user, their organization, or their chats with Claude.