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DLSS 5 offers three real-time models (Model A, Model B, and Model C) that present photorealistic lighting at different intensities and varying computational complexity. Developers can apply different models to different scenes or characters and mix and match them, choosing higher-intensity or more complex models where needed and lighter models elsewhere; all models are designed to run on a single GPU. Developer controls like Structural Intensity and Tone Intensity sliders and per-object masking let teams fine-tune each model's effect to preserve artistic intent. Answered

The Structural Intensity and Tone Intensity sliders let developers control how DLSS 5’s photorealistic lighting pass is applied to scene elements, with each slider dictating different types of effects such as reflections and other material or object details. Using those sliders (and masking), developers can fine-tune and highlight characters or objects so the DLSS 5 output appears additive to the original art rather than transformative. Answered

Yes. DLSS 5 development tools let developers mask characters and objects in a scene with no limit, and then fine-tune the effect on each. The tools include Structural Intensity and Tone Intensity sliders to control different aspects of the effect. Answered

DLSS 5 takes the entire traditionally rendered frame into account and applies a photorealistic lighting pass on top of it. That lighting pass targets complex lighting effects such as sub-surface scattering and global illumination, among other material and object photorealism enhancements. Answered